Handel – operas

Agrippina

Andrew Jones, ‘Further Thoughts on Borrowings in Handel’s Agrippina’, 22/1 (2011)
Colin Timms, ‘Archive Notes on Singers in Agrippina’, 22/1 (2011)
Ariodante: see Conference reports; Lacy; Pergolesi
Barber Institute: Colin Timms, ‘Handel at the Barber: The ‘Lewis’ Years’, 20/1 (2009)
Dance: Sarah McCleave, ‘Dance in Handel’s Italian Operas: The Collaboration with Marie Sallé’, 5/2 (1994)
Giulio Cesare in Egitto: see Editions reviewed; Exhibitions
Handel’s Operas 1704–1726 (Winton Dean and John Merrill Knapp), 20/2 (2009)
Handel’s Operas 1726–1741 (Winton Dean): see Book reviews
‘Hanseatic’ Arioso: Reinhard Strohm, ‘Handel’s Operas and the “Hanseatic” Arioso’, 17/2 (2006)
Partenope: see Conference reports
Prices: Carole Taylor, ‘Paying for Opera in 1730s London’, 27/2 (2016)
Riccardo primo: Katie Hawks, ‘Looking for Richard: Why Handel wrote Riccardo Primo, 23/1 (2012)
Rinaldo: Ruth Smith, ‘Opera in tempore belli: “English Traditions in Rinaldo” Revisited’, 23/2 (2012)
Rodrigo: Colin Timms, ‘Archive Notes on Singers in Rodrigo’, 21/2 (2010)
See also Study days