An Index to VOLS. 1–28 (1990–2017) of The Handel Institute Newsletter

Compiled by Colin Timms

Aria:
Arioso:
Armstrong, Thomas:
‘T. W. Bourne (1862–1948): A Forgotten Pioneer’, 3/1 (1992) [postscript by Terence Best]
Awards:
Baillie, Griselda:
Baldwin, Olive, and Thelma Wilson:
'Another Handelian Bass Singer and Organist', 24/2 (2013)
Barsanti, Francesco:
Baselt, Elfriede:
Beeks, Graydon:
‘Notes on the Cannons Music Catalogues’, 23/1 (2012)
Best, Terence:
‘Two Newly Discovered References to Handel’, 2/1 (1991)
‘Handel’s Water Music: A New Source’, 16/1 (2005)
‘Who sang in La Resurrezione’,21/1 (2010)
See also Conference reports; Editions reviewed; Festival reviews; Obituaries; Opera productions reviewed
Birch, Thomas:
Birthday Ode for Queen Anne:
Bloor, Susan, and Ruth Smith:
‘Charles Jennens returns to Foremarke’, 28/1 (2017)
Book reviews:
The Cambridge Companion to Handel (Donald Burrows): Brian Trowell, 9/1 (1998)
The Double Bass Violone (Alfred Planyavsky): Fiona Palmer, 12/1 (2001)
Handel’s Operas 1726–1741 (Winton Dean): David Kimbell, 18/2 (2007)
Handel’s Oratorios and Eighteenth-Century Thought (Ruth Smith): Winton Dean, 7/1 (1996)
Book trade:
Borrowing:
Bourne, T. W.:
Thomas Armstrong, ‘T. W. Bourne (1862–1948): A Forgotten Pioneer’, 3/1 (1992)
‘T. W. Bourne – A Postscript’, 3/2 (1992)
Bowdler, Sandra:
Bowman, James:
Boyce, William:
Brockes Passion:
Bukofzer, Manfred:
Burney, Charles:
Burrows, Donald:
‘The Alan Kitching Collection’, 1/2 (1990)
‘The Malmesbury Collection Survey: a Progress Report’, 2/1 (1991)
‘The Malmesbury Collection Survey Completed’, 2/2 (1992)
‘A Question of Terminology’, 5/2 (1994)
‘Looking Backwards – and Forwards’, 9/2 (1998)
‘Two Anniversaries’, 10/1 (1999)
‘Christopher Hogwood becomes H. I. President’, 11/2 (2000)
‘Carestini and the Italian Movements in Handel’s English Oratorios’, 14/1 (2003)
‘“Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s Samson’, 15/1 (2004)
‘Two Connections Completed’, 16/2 (2005)
‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’, 17/1 (2006)
‘Did Handel perform a Pergolesi aria?’, 18/1 (2007)
‘The “Handel Documents” Project’, 18/2 (2007); 21/1 (2010)
‘Singing the “Hallelujah” Chorus, Still’, 18/2 (2007)
‘Commemorating a Commemoration: The Royal Music Library’, 19/1 (2008)
‘Walsh’s Edition of Handel’s “Solos”’, 19/1 (2008)
‘Eternal Source for Speculation: Handel’s Birthday Ode for Queen Anne’, 20/2 (2009)
‘Handel’s Comus comes to London’, 22/2 (2011)
‘Our First Twenty-Five Years’, 23/2 (2012)
‘A New Handel Letter’, 24/1 (2013)
‘ “O Ebenezer Prout!” ’, 26/1 (2015)
‘Two Friends from Halle’, 27/1 (2016)
‘The Novello Handel Edition: A History and a Memoir’, 28/2 (2017)
‘Manuscript Librettos of Works by Handel in the Larpent Collection’, 29/1 (2018)
‘Do we need “John”?’, 30/1 (2019)
See also Book reviews; Conference reports; Festival reviews; Gianturco; Obituaries; Opera productions reviewed
Burrows, Donald (and Watkins Shaw):
‘A Long-standing Continuo Tradition’?, 3/2 (1992), 4/1 (1993)
Burrows, Donald, and Anthony Hicks:
‘The “Warren” Manuscript of Messiah’, 12/2 (2001),
Burrows, Donald, and Paul Tindall:
‘Gustavus Waltz: A New Discovery’, 24/1 (2013)
Burrows, Donald, and Colin Timms:
‘The Handel Institute and the Hicks Collection’, 26/1 (2015)
Calliope, The New:
Cannons Music Catalogues:
Cannons Park, Edgware:
Cantata:
Carestini, Giovanni:
Carter, Elizabeth:
Castrati:
‘Chandos’ anthems:
Channon, Merlin:
Charlton, David:
‘The Frenchman who met Handel’, 15/2 (2004)
Chesser, Richard:
‘Granville Reunited: A “New” Handel Manuscript at the British Library’, 28/2 (2017)
Chisholm, Duncan:
‘Handel in Hell?’, 9/1 (1998)
‘A Book in Handel’s Library’, 10/1 (1999)
Chrissochoidis, Ilias:
‘A “Fam’d Oratorio … in Old English Sung”: Esther on 16 May 1732’,18/1 (2007)
‘Handel References in The Evening Advertiser (1754–1756)’, 19/1 (2008)
‘Mrs Cibber’s Oratorio Salary in 1744–45’, 20/1 (2009)
‘Senesino’s Black Boy (1725)’, 21/1 (2010)
Churnside, Carrie:
Cibber:
Coffey, Helen:
Coke, Gerald:
Collections:
Baillie: Lowell Lindgren, ‘Cantatas and Arias in the Collection of Griselda Baillie (1692–1759)’, 23/1 (2012)
British Library: Amelie Roper, ‘Handel Autographs Digitised’, 27/2 (2016)
Coke: ‘The Coke Collection’, 6/2 (1995)
             ‘The Gerald Coke Handel Collection’, 15/1 (2004)
             Katharine Hogg, ‘The Gerald Coke Handel Collection at the Foundling Museum’, 15/2 (2004)
             Katharine Hogg, ‘New Handel Manuscript at Coke Collection’, 23/2 (2012)
Granville: Richard Chesser, ‘Granville Reunited: A “New” Handel Manuscript at the British Library,28/2 (2017)
Handel Collections and Their History, ed. Terence Best, 1/2 (1990)
Kitching: Donald Burrows, ‘The Alan Kitching Collection’, 1/2 (1990)
Larpent: Donald Burrows, ‘Manuscript Librettos of Works by Handel in the Larpent Collection’, 29/1 (2018)
Malmesbury: Donald Burrows, ‘The Malmesbuy Collection Survey’, 2/1 (1991), 2/2(1991)
Royal: Donald Burrows, ‘Commemorating a Commemoration: The Royal Music Library’, 19/1 (2008)
Schoelcher: Richard G. King, ‘A Guide to the Uninventoried Parts of the Fonds Schoelcher’, 8/1 (1997)
Smith: Lucy Roe, ‘Robert Smith, Music Collection’, 14/2 (2003)
Compton, Blaise:
‘Handel’s Hornpipe’, 28/1 (2017)
Comus:
Concertos:
Conference announcements:
Agostino Steffani: Europäischer Komponist und hannoverscher Diplomat der LeibnizZeit, 25/2 (2014)
Handel after Handel: The Making, Lasting Fame and Influence of Handel and the Handelian Figure, 22/2 (2011)
John Rich and the 18th-Century London Stage: Commerce, Magic and Management, 18/1 and 18/2 (2007)
Music and the Book Trade from the 16th to the 19th Century, 18/2 (2007)
Music in 18th-Century Britain, 27/2 (2016); 28/2 (2017); 29/2 (2018)
Power of Musicke, The: Music and Politics in Georgian Britain, 24/1 (2013)
Conference programmes (Handel Institute):
Commemorating Handel, 18/2 (2007)
Great among the Nations, 10/2 (1999)
Handel and his Eighteenth-Century Performers, 26/2 (2015)
Handel and his Music for Patrons, 29/2 (2018)
Handel and his Rivals, 7/2 (1996)
Handel at Court, 23/2 (2012)
Handel Collections and Their History, 1/2 (1990)
Handel in the 1730s, 4/2 (1993)
Handel in Cities and Houses, 13/2 (2002)
Performing Handel – Then and Now, 16/2 (2005)
Purcell, Handel and Literature, 20/1 and 20/2 (2009)
Conference reports:
American Handel Society: Donald Burrows, 2/1 (1991); Terence Best, 6/1 (1995);
Jonathan Tyack, 16/1 (2005); Tim Neufeldt, 21/1 (2010); Matthew Gardner, 26/2 (2011), 24/1 (2013), 26/2 (2015); David Vickers, 28/1 (2017); Natassa Varka, 30/1 (2019)
Ariodante Conference, April 1993: Terence Best, 4/1 (1993)
Georg Friedrich Händel a Roma: Donald Burrows, 19/2 (2008)
Georg Friedrich Händel – in viaggio verso l’Italia: Reinhard Strohm, 21/1 (2010)
Handel and His Rivals: Berta Joncus, 8/1 (1997)
Handel at Court: Carole Taylor, 24/1 (2013)
Handel in the 1730s: 5/1 (1994)
La cantata da camera intorno agli anni ‘italiani’ di Händel: Problemi e prospettive diricerca: Carrie Churnside, 19/2 (2008)
Metastasio: Anja-Rosa Thöming, 9/2 (1998); Purcell, Handel and Literature: John Greenacombe, 21/1 (2010)
Von Neapel nach Hamburg: Die Europäischen Reisen der ‘Partenope’: Reinhard Strohm, 21/1 (2010)
Continuo:
Copyists:
Donald Burrows, ‘ “Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s Samson’, 15/1 (2004); 21/1 (2005)
Michael Talbot, ‘An Unexpected Handel Copyist: Francesco Barsanti’, 24/2 (2013)
Cummings, Graham:
Cummings, Laurence:
Curtis, Alan:
Cuzzoni:
Dance:
Dean, Winton:
‘Alan Kitching and the Unicorn Theatre’, 1/2 (1990)
See also Book reviews; Editions reviewed; Festival reviews; Handel – oratorios; Obituaries; Opera productions reviewed
Dean, Winton, Handel’s Operas 1726–1741:
DeSimone, Alison:
An American in London: Research on a Handel Institute Grant’, 29/1 (2018)
Documents on Handel:
Double bass:
Drauschke, Hansjörg:
‘Vocal Chamber Music in Hamburg: Keiser, Mattheson and Handel’, 25/2 (2014)
Dublin:
Duets:
Dunhill, Rosemary:
‘James Harris and Handel’, 7/1 (1996)
Editions reviewed:
Cantatas for Alto and Continuo (ed. Ellen Harris): Andrew Jones, 13/2 (2002); Ellen Harris, 14/1 (2003); Andrew Jones, 14/1 (2003)
Giulio Cesare in Egitto (ed. Winton Dean and Sarah Fuller): Anthony Hicks, 13/1 (2002)
Hallische Händel-Ausgabe: Terence Best, 1/1 (1990), 2/1 (1991), 2/2 (1991), 3/2 (1992), 5/1 (1994), 6/1 (1995), 17/1 (2006)
Music for the Royal Fireworks (facsimile, ed. Christopher Hogwood): Anthony Hicks, 16/1 (2005)
New Handel Editions, 10/2 (1999)
New Vocal Scores of Handel from Bärenreiter, 19/2 (2008)
Novello Handel Edition: Donald Burrows, 28/2 (2017)
Prout: Donald Burrows, 26/1 (2015)
Evening Advertiser, The:
Exhibitions:
By George! Handel’s Music for Royal Occasions: Katharine Hogg, 25/1 (2014)
Handel and the Castrati, 17/1 (2006)
Handel’s Giulio Cesare: From Egypt to England: Katharine Hogg, 17/1 (2006)
Handel the Philanthropist, 20/1 (2009)
Water Music, 28/1 (2017)
Festival reviews:
Cossington, 20/1 (2009)
Göttingen
Winton Dean: 3/2 (1992), 4/2 (1993)
Terence Best: 4/2 (1993), 6/2 (1995), 7/2 (1996), 8/2 (1997), 9/2 (1998), 10/2 (1999), 11/2 (2000), 12/2 (2001), 23/2 (2012)
David Vickers, 13/2 (2002), 14/2 (2003), 15/2 (2004), 16/2 (2005), 17/2 (2006), 18/2 (2007), 19/2 (2008), 20/2 (2009) 21/2 (2010), 22/2 (2011), 23/2 (2012), 24/2 (2013), 26/2 (2015)
Graham Cummings: 25/2 (2014)
Donald Burrows, 28/2 (2017), 29/2 (2018)
Halle
Terence Best: 1/2 (1990), 2/2 (1991), 3/2 (1992), 4/2 (1993), 5/2 (1994), 6/2 (1995), 7/2 (1996), 8/2 (1997), 9/2 (1998), 10/2 (1999), 11/2 (2000), 12/2 (2001); 13/2 (2002), 14/2 (2003), 15/2 (2004), 16/2 (2005), 17/2 (2006), 18/2 (2007), 19/2 (2008); 20/2 (2009); 21/2 (2010); 22/2 (2011); 23/2 (2012), 25/2 (2014), 26/2 (2015), 27/2 (2016), 28/2 (2017), 29/2 (2018)
Winton Dean: 2/2 (1991), 3/2 (1992), 4/2 (1993), 8/2 (1997)
Donald Burrows: 16/2 (2005)
David Vickers: 23/2 (2012)
London
Terence Best: 9/1 (1998), 10/1 (1999), 23/2 (2012), 24/2 (2013), 25/2 (2014); 26/1 (2015)
Winton Dean, 11/2 (2000) Maryland (American Handel Society)
Donald Burrows: 2/1 (1991)
Terence Best: 6/1 (1995)
Perth, Australia: Sandra Bowdler, 21/1 (2010)
Fishamble Street:
Flesch, Siegfried:
Foundling Museum:
Frederick, Prince of Wales:
Frederick, Prince of Wales:
Thomas McGeary, ‘Handel and the Feuding Royals’, 17/2 (2006)
Carole Taylor: ‘Paying for Opera in 1730s London’, 27/2 (2016)
Frenchman:
Frosch, William A.:
‘A Bonesetter’s Contract’, 17/2 (2006)
Fuller, Sarah:
Gardner, Matthew:
Gatehouse:
gfhandel.org:
Gianturco, Carolyn:
Il Trionfo’ Revived, 6/1 (1995) [with postscript by Donald Burrows]
Granville:
Greenacombe, John:
‘Did Italians Sing in Deborah in 1744?’, 19/2 (2008)
‘Where precisely was the “Fireworks Machine” in 1749?’, 27/1 (2016)
See also Conference reports
Gwynn, Dominic:
‘The “Handel Organ” at St Lawrence Whitchurch, Little Stanmore, Middlesex’, 7/2 (1996)
Hamburg:
Hamilton, N.:
Handbook for Studies in 18th-Century English Music:
Katharine Hogg, 28/1 (2017)
Handel:
'Another Handel Anecdote': Graham Pont, 17/2 (2006)
'A Book in Handel's Library': Duncan Chisholm, 10/1 (1999)
'Did Handel perform a Pergolesi aria?': Donald Burrows, 18/1 (2007)
'Handel and George I in Birmingham': Colin Timms and Paul Spencer-Longhurst, 8/2 (1997)
'Handel and Samuel Wesley': Stanley Pelkey, 11/2 (2000)
'Handel and the Co-ordination of National Styles: Bukofzer Revisited': Howard Serwer, 12/1 (2001)
'Handel and the Feuding Royals': Thomas McGeary, 17/2 (2006)
'Handel at Exton, Rutland': David Hunter, 25/1 (2014)
'Handel at Vauxhall', Thomas McGeary, 9/1 (1998)
'The "Handel Documents" Project': Donald Burrows, 18/2 (2007); 21/1 (2010);
see also Study days
'Handel in German Belletristic Literature': Annette Landgraf, 24/1 (2013)
'Handel in Hell?', Duncan Chisholm, 9/1 (1998)
'Handel, Milton, and a New Document from their English Audience': Ruth Smith, 14/2 (2003)
'The "Handel Organ" at St Lawrence Whitchurch, Little Stanmore, Middlesex': Dominic Gwynn, 7/2 (1996)
'Handel References in The Evening Advertiser (1754–1756)': Ilias Chrissochoidis,19/1 (2008)
'Handel Revamped': H. Diack Johnstone, 25/1 (2014)
'Handel, Thomas Birch and Elizabeth Carter': Brian Trowell, 8/1 (1997)
'Handel, Walsh, Sonatas and Concertos in the Early 1730s': Donald Burrows, 17/1 (2006)
'Handel, Women, and the War with Spain': David Hunter, 10/2 (1999)
'Handel's Accumulation of Wealth': Ellen Harris, 13/1 (2002)
'Handel's Family': Klaus-Peter Koch, 19/2 (2008)
Handel's Will: Facsimiles and Commentary, 20/1 (2009)
'Mr Handel sings Duets with Lady Gatehouse': David Hunter, 17/1 (2006)
'New Accounts of Handel and the Oxford Act': Thomas McGeary, 13/1 (2002)
'A New Handel Letter': Donald Burrows, 24/1 (2013)
New Handel Manuscript at Coke Collection, 23/2 (2012)
'Not Vagaries but Varieties: Handel's 'Inconsistencies' Authenticated': Graham Pont, 11/1 (2000)
'Thomas Newburgh and his Poem on Handel's Blindness': Michael Talbot, 29/2 (2018)
'Two Anniversaries': Donald Burrows, 10/1 (1999)
'Two Newly Discovered References to Handel': Terence Best, 2/1 (1991)
'Walsh's Edition of Handel's "Solos"': Donald Burrows, 19/1 (2008)
See also Book reviews; Burney; Carestini; Editions reviewed; Frenchman; Harris, James; Heidegger; Jennens; Timotheus; Vocal Chamber Music
Handel – operas:
Agrippina
Andrew Jones, ‘Further Thoughts on Borrowings in Handel’s Agrippina’, 22/1 (2011)
Colin Timms, ‘Archive Notes on Singers in Agrippina’, 22/1 (2011)
Ariodante: see Conference reports; Lacy; Pergolesi
Barber Institute: Colin Timms, ‘Handel at the Barber: The ‘Lewis’ Years’, 20/1 (2009)
Dance: Sarah McCleave, ‘Dance in Handel’s Italian Operas: The Collaboration with Marie Sallé’, 5/2 (1994)
Giulio Cesare in Egitto: see Editions reviewed; Exhibitions
Handel’s Operas 1704–1726 (Winton Dean and John Merrill Knapp), 20/2 (2009)
Handel’s Operas 1726–1741 (Winton Dean): see Book reviews
‘Hanseatic’ Arioso: Reinhard Strohm, ‘Handel’s Operas and the “Hanseatic” Arioso’, 17/2 (2006)
Partenope: see Conference reports
Prices: Carole Taylor, ‘Paying for Opera in 1730s London’, 27/2 (2016)
Riccardo primo: Katie Hawks, ‘Looking for Richard: Why Handel wrote Riccardo Primo, 23/1 (2012)
Rinaldo: Ruth Smith, ‘Opera in tempore belli: “English Traditions in Rinaldo” Revisited’, 23/2 (2012)
Rodrigo: Colin Timms, ‘Archive Notes on Singers in Rodrigo’, 21/2 (2010)
See also Study days
Handel – oratorios:
Deborah: John Greenacombe, ‘Did Italians sing in Deborah in 1744?’, 19/2 (2008)
Esther
Howard Serwer, ‘The Italians in Esther’, 5/1 (1994)
Ilias Chrissochoidis, ‘A “Fam’d Oratorio … in Old English Sung”: Esther on 16 May 1732’, 18/1 (2007)
Messiah
Exhibition at Pallant House, 3/1 (1992)
David Hunter, ‘Messiah in Cork 1744’, 12/1 (2001)
TimThurston, ‘Messiah Plaque returns to Fishamble Street’, 15/1 (2004)
Donald Burrows and Anthony Hicks, ‘The “Warren” Manuscript of Messiah’, 12/2 (2001)
Donald Burrows , ‘Singing the “Hallelujah” Chorus, Still’, 18/2 (2007)
La Resurrezione: Terence Best, ‘Who sang in La Resurrezione?’,21/1 (2010)
Samson: Donald Burrows, ‘ “Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s ‘Samson’, 15/1 (2004); 16/2 (2005)
Saul: Winton Dean (Halle Handel Festival), 8/2 (1997)
Terminology: Donald Burrows, ‘A Question of Terminology’, 5/2 (1994)
Theodora
Winton Dean (Glyndebourne), 7/2 (1996)
Colin Timms, ‘A Borrowing from Vivaldi in Theodora, 21/1 (2010)
Colin Timms, ‘Did Handel borrow from Leclair?’, 30/1 (2019)
Il Trionfo del Tempo e del Disinganno: Carolyn Gianturco, ‘Il Trionfo Revived’, 6/1 (1995)[with postscript by Donald Burrows]
See also Book reviews; Carestini; Study days
Handel – other works:
Acis and Galatea: Anthony Hicks, ‘Acis and Galatea in 1736’, 15/1 (2004)
Birthday Ode for Queen Anne: Donald Burrows, ‘Eternal Source for Speculation: Handel’s Birthday Ode for Queen Anne’, 20/2 (2009)
Brockes Passion: see Study days
Calliope: Anthony Hicks, ‘Handel, Milton and The New Calliope’, 8/1 (1997)
Cantatas for Alto and Continuo (ed. Ellen Harris): Andrew Jones,13/2 (2002); Ellen Harris, 14/1 (2003); Andrew Jones, 14/1 (2003)
‘Chandos’ Te Deum: Anthony Hicks, ‘ “Chandos” Te Deum at Oxford’, 10/1 (1999)
Comus
Donald Burrows, ‘Handel’s Comus comes to London’, 22/2 (2011)
David Hunter, ‘Handel at Exton, Rutland’, 25/1 (2014)
Concertos: Donald Burrows, ‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’, 17/1 (2006)
Fireworks Music: John Greenacombe, ‘Where precisely was the “Fireworks Machine” in 1749?’, 27/1 (2016); see also Editions reviewed
Hornpipe: Blaise Compton, ‘Handel’s Hornpipe’, 28/1 (2017)
Librettos: Donald Burrows, ‘Manuscript Librettos of Works by Handel in the Larpent Collection, 29/1 (2018)
Semele
Ruth Smith, ‘Timotheus, Alexander, Semele and Handel’,14/1 (2003)
Terence Best, ‘Semele at London Handel Festival’, 26/1 (2015)
‘Solos’: Donald Burrows, ‘Walsh’s Edition of Handel’s “Solos”’,19/1 (2008)
Sonatas: Donald Burrows, ‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’, 17/1 (2006)
Water Music: Terence Best, ‘Handel’s Water Music: A New Source’, 16/1 (2005)
Handel House:
Handel’s London House, 1/1 (1990)
Anthony Hicks, ‘Handel’s House’, 1/2 (1990)
Handel’s House, 2/1 (1991)
Plan for Handel’s House, A, Curtis Price, 2/2 (1991)
Julie Anne Sadie, ‘A Prospect of Brook Street’, 5/1 (1994)
Julie Anne Sadie, ‘Brook Street Secured’, 7/1 (1996)
Handel House Museum, 12/2 (2001)
Handel Institute:
Awards (Conference), 25/2 (2014), 26/1 (2015)
Awards (Handel opera production), 26/2 (2015), 29/2 (2018)
Awards (Performance), 5/1 (1994)
Awards (Research), recipients of, 8/1 (1997), 25/2 (2014)
See also DeSimone; Varka
'Christopher Hogwood becomes H. I. President' (Donald Burrows), 11/2 (2000)
Development Fund, 1/1 (1990)
'The Handel Institute: the First Five Years' (Colin Timms), 3/1 (1992)
'The Handel Institute and the Hicks Collection' (Donald Burrows and Colin Timms), 26/1 (2015)
Handel Institute Website, 29/2 (2018)
Handel Websites, 21/1 (2010), 23/2 (2012)
Helen Coffey takes over as Secretary, 27/1 (2016)
'Looking Backwards – and Forwards' (Donald Burrows), 9/2 (1998)
'Our First Twenty-Five Years' (Donald Burrows), 23/2 (2012)
'Secretaries: Vale et salve', 17/1 (2006)
See also Conference programmes
Harris, Ellen:
‘Handel’s Accumulation of Wealth’, 13/1 (2002)
See also Editions reviewed; Handel
Harris, James:
Hawks, Katie:
‘Looking for Richard: Why Handel wrote Riccardo Primo’, 23/1 (2012)
Heidegger:
Hicks, Anthony:
‘A New Jennens Letter’, 1/2 (1990)
‘The Handel House’, 1/2 (1990)
‘Handel, Milton and The New Calliope’, 8/1 (1997)
‘Handel, Milton and The New Calliope’, 10/1 (1999)
‘Acis and Galatea in 1736’,15/1 (2004)
See also Obituaries; Opera productions reviewed
Hicks Collection:
Hogg, Katharine:
‘The Gerald Coke Handel Collection at the Foundling Museum’, 15/2 (2004)
‘The Gerald Coke Handel Collection at the Foundling Museum’, 23/2 (2012)
‘By George! Handel’s Music for Royal Occasions’, 25/1 (2014)
‘From the Gerald Coke Handel Collection: Handbook for Studies in 18th-Century English Music, and Water Music Exhibition, 28/1 (2017)
See also Collections; Exhibitions
Hogwood, Christopher:
Hunter, David:
‘Handel, Women, and the War with Spain’, 10/2 (1999)
‘Messiah in Cork in 1744, 12/1, (2001)
‘Mr Handel sings Duets with Lady Gatehouse’, 17/1 (2006)
‘Handel at Exton, Rutland’, 25/1 (2014)
Hunter, James:
Jennens, Charles:
Susan Bloor and Ruth Smith, ‘Charles Jennens returns to Foremarke’, 28/1 (2017)
Donald Burrows, ‘“Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s Samson’, 15/1 (2004); 16/2 (2005)
Anthony Hicks, ‘A New Jennens Letter’, 1/2 (1990)
Brenda Sumner, ‘Charles Jennens’ Piano and Music Room’, 22/2 (2011)
Johnstone, H. Diack:
‘Handel Revamped’, 25/1 (2014)
Joncus, Berta:
Jones, Andrew:
‘Further Thoughts on Borrowings in Handel’s Agrippina’, 22/1 (2011)
See also Editions and reviews; Obituaries
Keiser, Reinhard:
Kimbell, David:
King, Richard G.:
‘A Guide to the Uninventoried Parts of the Fonds Schoelcher’, 8/1 (1997)
Kirkendale, Warren:
‘Handel, Ruspoli and Ursula Kirkendale in the Vatican’, 29/1 (2018)
Kitching, Alan:
Donald Burrows, ‘The Alan Kitching Collection’, 1/2 (1990)
Winton Dean, ‘Alan Kitching and the Unicorn Theatre’, 1/2 (1990)
See also Obituaries
Koch, Klaus-Peter:
‘Handel’s Family’, 19/2 (2008)
Lacy, Michael Rophino:
Landgraf, Annette:
Leclair:
Legh, Elizabeth:
Lindgren, Lowell:
‘A Preview of Zamboniana’, 2/1 (1991)
‘Cantatas and Arias in the Collection of Griselda Baillie (1692–1759)’, 23/1 (2012)
McCleave, Sarah:
‘Dance in Handel’s Italian Operas: The Collaboration with Marie Sallé’, 5/2 (1994)
McGeary, Thomas:
‘Handel at Vauxhall’, 9/1 (1998)
‘Heidegger, Handel, Opera, and F––ting’, 11/1 (2000)
‘New Accounts of Handel and the Oxford Act’, 13/1 (2002)
‘Handel and the Feuding Royals’, 17/2 (2006)
McGegan, Nicholas:
Malmesbury:
Manuscripts:
Donald Burrows and Anthony Hicks, ‘The “Warren” Manuscript of Messiah’, 12/2 (2001)
Richard Chesser, ‘Granville Reunited: A “New” Handel Manuscript at the British Library’, 28/2 (2017)
Katharine Hogg, ‘New Handel Manuscript at Coke Collection’, 23/2 (2012)
Amelie Roper, ‘Handel Autographs Digitised’, 27/2 (2016)
See also Boyce; Collections
Maryland Handel Festival:
Mattheson, Johann:
Metastasio, Pietro:
Milton, John:
Moore, Edward and Hatley:
Musical clocks:
Neal’s Music Hall:
Newburgh, Thomas:
Neufeldt, Tim:
Novello:
Obituaries:
Baselt, Bernd (1934–1993): Terence Best, 5/1 (1994)
Baselt, Elfriede: Donald Burrows, 27/1 (2016)
Brett, Philip (1937–2002): Nicholas McGegan, 14/1 (2003)
Channon, Merlin (1924–2015): Donald Burrows, 27/1 (2016)
Coke, Gerald (1907–1990): Winton Dean, 1/1 (1990)
Curtis, Alan (1934–2015): David Vickers, 27/1 (2016)
Dean, Winton (1916–2013): Terence Best, 25/1 (2014)
Farncombe, Charles (1919–2006): James Bowman, 18/1 (2007)
Flesch, Siegfried (1933–2007): Terence Best, 19/1 (2008)
Hicks, Anthony (1943–2010): Donald Burrows and Laurence Cummings, 21/2 (2010)
Hogwood, Christopher (1941–2014): Donald Burrows, 26/1 (2015)
Kirkendale, Ursula (1932–2013): Colin Timms, 24/2 (2013)
Kitching, Alan (1906–1997): Stanley Sadie, 8/2 (1997)
Knapp, John Merrill (1914–1993): Terence Best, 4/1 (1993)
Mann, Alfred (1917–2006): Donald Burrows, 18/1 (2007)
Porter, Andrew (1928–2015): David Vickers, 27/2 (2016)
Sadie, Stanley (1930–2005): Anthony Hicks, 16/1 (2005)
Serwer, Howard (1928–2000), Donald Burrows, 11/2 (2000)
Siegmund-Schulze, Walther (1916–1993): Percy M. Young, 4/1 (1993)
Traver, Paul (1931–2011): Graydon Beeks, 22/2 (2011)
Trowell, Brian (1931–2015): Donald Burrows, 27/1 (2016)
Watanabe, Keiichiro (1932–2001): Donald Burrows, 13/1 (2002)
Willcocks, Sir David (1919–2015): Silas Wollston, 27/1(2016)
Young, Percy M. (1912–2004): Andrew Jones, 15/2 (2004)
Zschoch, Frieder: Donald Burrows, 27/1 (2016)
Opera productions reviewed:
Admeto: Cambridge, Winton Dean, 10/2 (1999); Halle, Terence Best, 17/2 (2006)
Alcina: English National Opera, Winton Dean, 11/1 (2000); Edinburgh, Winton Dean, 11/2 (2000)
Agrippina: Birmingham, 20/1 (2009); Cambridge, 22/1 (2011)
Amadigi: New Chamber Opera, David Vickers, 12/2 (2001)
Amadigi: New Chamber Opera, David Vickers, 4/2 (1993); Cardiff, Anthony Hicks, 5/1 (1994); Halle, Winton Dean, 8/2 (1997)
Atalanta: Göttingen, David Vickers, 16/2 (2005)
Catone in Utica: London Handel Festival, Terence Best, 26/1 (2015)
Deidamia: London Handel Festival, Anthony Hicks, 6/1 (1995)
Ezio: Halle Hochschule, Donald Burrows, 4/1 (1993)
Giove in Argo: London Handel Festival, Terence Best, 26/1 (2015)
Giulio Cesare: BBC2, Winton Dean, 3/1 (1992); Barbican, Winton Dean, 9/1 (1998)
Imeneo: Dublin, Donald Burrows, 17/1 (2006)
Lotario: Royal College of Music, Winton Dean, 10/1 (1999)
Oreste: Linbury, Covent Garden, Terence Best, 11/1 (2000)
Ottone: London Handel Festival, Winton Dean, 11/2 (2000); Tokyo, Donald Burrows, 21/1 (2010)
Partenope: Cambridge, Winton Dean, 6/1 (1995); Innsbruck, David Vickers, 11/1 (2000); Early Opera Company, David Vickers, 12/2 (2001)
Poro: Göttingen, David Vickers, 17/2 (2006)
Radamisto: London Handel Festival, Terence Best, 9/1 (1998); Halle, Terence Best, 11/2 (2000)
Riccardo Primo: Covent Garden, Terence Best, 2/2 (1991)
Rodelinda: Glyndebourne, Winton Dean, 9/2 (1998); Göttingen, Terence Best, 11/2 (2000); Halle, Terence Best, 16/2 (2005); English National Opera, Terence Best, 25/2 (2014)
Serse: Halle and Göttingen, Winton Dean, 8/2 (1997)
Silla: London Handel Festival, Winton Dean, 11/2 (2000)
Siroe: London Handel Festival, Anthony Hicks, 5/1 (1994)
Tamerlano: Karlsruhe, Winton Dean, 4/1 (1993); Covent Garden, Terence Best, 6/1 (1995); Turin, Terence Best, 8/2 (1997); Drottningholm, Terence Best, 11/2 (2000)
Tolomeo: Broomhill Opera, Winton Dean, 9/2 (1998)
See also Festival reviews
Organ:
Palmer, Fiona:
Pelkey, Stanley:
‘Handel and Samuel Wesley’, 11/2 (2000)
Pepusch, J. C.:
Pergolesi, G. B.:
Planyavsky, Alfred:
Pont, Graham:
‘Not Vagaries but Varieties: Handel’s “Inconsistencies” Authenticated’, 11/1 (2000)
‘A Reminiscence of Cuzzoni’, 11/2 (2000)
‘Another Handel Anecdote’, 17/2 (2006)
Power of Musicke, The:
Price, Curtis:
‘A Plan for Handel’s House’, 2/2 (1991)
Prout, Ebenezer:
Purcell, Henry:
Rawson, Robert G.:
‘Recording Pepusch’s Venus and Adonis (1715): A Tercentenary Metamorphosis’, 28/1 (2017)
Recordings:
Grand Tour and Country House, 10/1 (1999)
International Handel Recording Prize, 13/2 (2002)
Stanley Sadie Handel Recording Prize: David Vickers, 19/2 (2008); 20/2 (2009); 21/1 (2010); 22/2 (2011), 24/2 (2013)
Rich, John:
Roe, Lucy:
‘Robert Smith, Music Collector’, 14/2 (2003)
Roper, Amelie:
‘Handel Autographs Digitised’, 27/2 (2016)
Royal Music Library:
Ruspoli:
St Lawrence Whitchurch:
Sadie Julie Anne:
‘A Prospect of Brook Street’, 5/1 (1994)
‘Brook Street Secured’, 7/1 (1996)
Sadie, Stanley:
Sallé, Marie:
Schoelcher, Victor:
Senesino (Francesco Bernadi):
Serwer, Howard:
‘The Italians in Esther’, 5/1 (1994)
‘Handel and the Co-ordination of National Styles: Bukofzer Revisited’, 12/1 (2001)
Serwer, Howard:
Shaw, [Harold] Watkins:
Singers:
Olive Baldwin and Thelma Wilson, ‘Another Handelian Bass Singer and Organist’, 24/2 (2013)
Terence Best, ‘Who sang in La Resurrezione?’, 21/1 (2010)
Donald Burrows and Paul Tindall, ‘Gustavus Waltz: A new Discovery’, 24/1 (2013)
Graham Pont, ‘A Reminiscence of Cuzzoni’, 11/2 (2000)
Colin Timms, ‘Archive Notes on Singers in Rodrigo’, 21/2 (2010)
Colin Timms, ‘Archive Notes on Singers in Agrippina’, 22/1 (2011)
Smith, John Christopher:
Smith, John Christopher:
Smith, Robert:
Smith, Ruth:
‘Timotheus, Alexander, Semele and Handel’, 14/1 (2003)
‘Handel, Milton, and a New Document from their English Audience’, 14/2 (2003)
‘Opera in tempore belli: English Traditions in Rinaldo Revisited’, 23/2 (2012)
See also Book reviews; Handel; Jennens
‘Solos’:
Sonatas:
Spencer-Longhurst, Paul, and Colin Timms:
‘Handel and George I in Birmingham’, 8/2 (1997)
Steffani, Agostino:
Strohm, Reinhard:
‘Handel’s Operas and the “Hanseatic” Arioso’, 17/2 (2006)
See also Conference reports
Study days:
Agrippina. 22/1 (2011)
Ariodante, 20/1 (2009)
Atalanta, 24/1 (2013)
Brockes Passion and Esther, 12/2 (2001)
‘Documents about Handel (and Others)’, 21/2 (2010); Carole Taylor, 22/1 (2011)
Imeneo, 17/2 (2006)
Rodelinda, 29/1 (2018)
Serse, 13/2 (2002)
Tamerlano, 15/2 (2004)
Theodora, 28/1 (2017)
Sumner, Brenda:
‘Charles Jennens’ Piano and Music Room’, 22/2 (2011)
Talbot, Michael:
‘An Unexpected Handel Copyist: Francesco Barsanti’, 24/2 (2013)
‘Thomas Newburgh and his Poem on Handel’s Blindness’, 24/2 (2018)
Taylor, Carole:
‘Paying for Opera in 1730s London’, 27/2 (2016)
See also Conference reports, Study days
Thomas, Graham:
‘Burney on Handel: A New Source’, 6/2 (1995)
Thöming, Anja-Rosa:
Thurston, Tim:
‘Fishamble Street: Neal’s Music Hall (1988–2001)’, 12/2 (2001)
‘Messiah Plaque returns to Fishamble Street’, 15/1 (2004)
Timms, Colin:
‘The Handel Institute: the First Five Years’, 3/1 (1992)
‘Boyce’s Ode to Shakespeare: The Missing Autograph Folio’, 17/1 (2006)
‘Handel at the Barber: The “Lewis” Years’, 20/1 (2009)
‘A Borrowing from Vivaldi in Theodora’, 21/1 (2010)
‘Archive Notes on Singers in Rodrigo’, 21/2 (2010)
‘Archive Notes on Singers in Agrippina’, 22/1 (2011)
‘1714 and All That’, 25/2 (2014)
‘Did Handel borrow from Leclair?’, 30/1 (2019)
See also Handel Institute
Timms, Colin, and Paul Spencer-Longhurst:
‘Handel and George I in Birmingham’, 8/2 (1997)
Timotheus:
Tindall, Paul, and Donald Burrow:
‘Gustavus Waltz: A New Discovery’, 24/1 (2013)
Trowell, Brian:
‘Michael Rophino Lacy and Ginevra of Sicily: A 19th-Century Adaptation of Handel’s
Ariodante, 6/1 (1995)
‘Handel, Thomas Birch and Elizabeth Carter’, 8/1 (1997)
See also Book reviews; Obituaries
Tyack, Jonathan:
Unicorn Theatre:
Varka, Natassa:
‘April in Princeton: With a Handel Institute Research Award’, 29/1 (2018)
See also Conference reports
Vauxhall:
Vickers, David:
Violone:
Vivaldi, A.:
Vocal Chamber Music:
Walsh, John:
Donald Burrows, ‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’, 17/1 (2006)
Donald Burrows, ‘Walsh’s Edition of Handel’s “Solos”’, 19/1 (2008)
Waltz, G.:
Warren, Edmund Thomas:
Watanabe, Keiichiro:
Water Music:
Website:
Handel Institute Website, 29/2 (2018)
Handel Websites, 21/1 (2010); 23/2 (2012)
Willcocks, Sir David:
Wilson, Thelma, and Olive Baldwin:
‘Another Handelian Bass Singer and Organist’, 24/2 (2013)
‘Handel beating time in Ipswich: Messrs Moore’s superb Musical Machine’, 30/1 (2019)
Wollston, Silas:
Young, Percy M.:
Young, Percy M.:
Zamboni, Giovanni Giacomo:
Zschoch, Frieder:
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