An Index to VOLS. 1–30 (1990–2019) of The Handel Institute Newsletter
Compiled by Colin Timms
Aria:
Lowell Lindgren, ‘Cantatas and Arias in the Collection of Griselda Baillie (1692–1759)’, 23/1(2012)
Michael Burden, ‘But which song? A causerie on the database ‘The Italian opera aria on
the London stage 1705–1801’, 30/2 (2019)
Arioso: see Handel – operas
Armstrong, Thomas:
‘T. W. Bourne (1862–1948): A Forgotten Pioneer’,
3/1 (1992) [postscript by Terence Best]
Awards: see Handel Institute; International Handel Research Prize
Baillie, Griselda: see Collections
Baldwin, Olive, and Thelma Wilson:
'Another Handelian Bass Singer and Organist',
24/2 (2013)
‘Handel beating time in Ipswich: Messrs Moore’s superb Musical Machine’,
30/1 (2019)
‘Ciel’d after the manner of the Oratorios’,
31/2 (2020)
Barsanti, Francesco: see Talbot
Baselt, Elfriede: see Obituaries
Beeks, Graydon:
‘Notes on the Cannons Music Catalogues’,
23/1 (2012)
Best, Terence, Honour for, 14/2 (2003)
Best, Terence:
‘Two Newly Discovered References to Handel’,
2/1 (1991)
‘Handel’s Water Music: A New Source’,
16/1 (2005)
‘Who sang in La Resurrezione’,
21/1 (2010)
See also Conference reports; Editions reviewed; Festival reviews; Obituaries; Opera productions reviewed
Birch, Thomas: see Trowell
Birthday Ode for Queen Anne: see Burrows
Bloor, Susan, and Ruth Smith:
‘Charles Jennens returns to Foremarke’,
28/1 (2017)
Book reviews:
The Cambridge Companion to Handel (Donald Burrows): Brian Trowell,
9/1 (1998)
The Double Bass Violone (Alfred Planyavsky): Fiona Palmer,
12/1 (2001)
Handel’s Operas 1726–1741 (Winton Dean): David Kimbell,
18/2 (2007)
Handel’s Oratorios and Eighteenth-Century Thought (Ruth Smith): Winton Dean,
7/1 (1996)
Book trade: see Conference announcements
Borrowing: see Handel – operas (Agrippina); Handel – oratorios (Theodora)
Bourne, T. W.:
Thomas Armstrong, ‘T. W. Bourne (1862–1948): A Forgotten Pioneer’,
3/1 (1992)
‘T. W. Bourne – A Postscript’,
3/2 (1992)
Bowdler, Sandra: see Festival reviews
Bowman, James: see Obituaries
Boyce, William: see Timms
Brockes Passion: see Study days
Bukofzer, Manfred: see Serwer
Burden, Michael:
‘But which song? A causerie on the database ‘The Italian opera aria on
the London stage 1705–1801’,
30/2 (2019)
Burney, Charles: see Thomas
Burrows, Donald:
‘The Alan Kitching Collection’,
1/2 (1990)
‘The Malmesbury Collection Survey: a Progress Report’,
2/1 (1991)
‘The Malmesbury Collection Survey Completed’,
2/2 (1992)
‘A Question of Terminology’,
5/2 (1994)
‘Looking Backwards – and Forwards’,
9/2 (1998)
‘Two Anniversaries’,
10/1 (1999)
‘Christopher Hogwood becomes H. I. President’,
11/2 (2000)
‘Carestini and the Italian Movements in Handel’s English Oratorios’,
14/1 (2003)
‘“Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s Samson’,
15/1 (2004)
‘Two Connections Completed’,
16/2 (2005)
‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’,
17/1 (2006)
‘Did Handel perform a Pergolesi aria?’,
18/1 (2007)
‘The “Handel Documents” Project’,
18/2 (2007);
21/1 (2010)
‘Singing the “Hallelujah” Chorus, Still’,
18/2 (2007)
‘Commemorating a Commemoration: The Royal Music Library’,
19/1 (2008)
‘Walsh’s Edition of Handel’s “Solos”’,
19/1 (2008)
‘Eternal Source for Speculation: Handel’s
Birthday Ode for Queen Anne’,
20/2 (2009)
‘Handel’s Comus comes to London’,
22/2 (2011)
‘Our First Twenty-Five Years’,
23/2 (2012)
‘A New Handel Letter’,
24/1 (2013)
‘ “O Ebenezer Prout!” ’,
26/1 (2015)
‘Two Friends from Halle’,
27/1 (2016)
‘The Novello Handel Edition: A History and a Memoir’,
28/2 (2017)
‘Manuscript Librettos of Works by Handel in the Larpent Collection’,
29/1 (2018)
‘Do we need “John”?’,
30/1 (2019)
‘The Origin of the “Smith Collection”: A Solution and a Puzzle’,
31/1 (2020)
‘A well-handled situation?’,
31/1 (2020)
See also Book reviews; Conference reports; Festival reviews; Gianturco; Obituaries; Opera productions reviewed
Burrows, Donald (and Watkins Shaw):
‘A Long-standing Continuo Tradition’?,
3/2 (1992),
4/1 (1993)
Burrows, Donald, and Anthony Hicks:
‘The “Warren” Manuscript of Messiah’,
12/2 (2001),
Burrows, Donald, and Paul Tindall:
‘Gustavus Waltz: A New Discovery’,
24/1 (2013)
Burrows, Donald, and Colin Timms:
‘The Handel Institute and the Hicks Collection’,
26/1 (2015)
Calliope, The New: see Handel
Cannons Music Catalogues: see Beeks
Cannons Park, Edgware:
12/2 (2001), 14/1 (2003)
Cantata: see Collections; Conference reports; Editions reviewed; Vocal Chamber Music
Carestini, Giovanni: see Burrows
Carter, Elizabeth: see Trowell
Castrati: see Burrows; Exhibitions
‘Chandos’ anthems: see Two Connections
Channon, Merlin: see Obituaries
Charlton, David:
‘The Frenchman who met Handel’,
15/2 (2004)
Chesser, Richard:
‘Granville Reunited: A “New” Handel Manuscript at the British Library’,
28/2 (2017)
Chisholm, Duncan:
‘Handel in Hell?’,
9/1 (1998)
‘A Book in Handel’s Library’,
10/1 (1999)
Chrissochoidis, Ilias:
‘A “Fam’d Oratorio … in Old English Sung”:
Esther on 16 May 1732’,
18/1 (2007)
‘Handel References in
The Evening Advertiser (1754–1756)’,
19/1 (2008)
‘Mrs Cibber’s Oratorio Salary in 1744–45’,
20/1 (2009)
‘Senesino’s Black Boy (1725)’,
21/1 (2010)
Churnside, Carrie: see Conference reports
Cibber: see Chrissochoidis
Coffey, Helen: see Handel Institute
Coke, Gerald: see Collections; Obituaries
Collections:
Baillie: Lowell Lindgren, ‘Cantatas and Arias in the Collection of Griselda Baillie (1692–1759)’,
23/1 (2012)
British Library: Amelie Roper, ‘Handel Autographs Digitised’,
27/2 (2016)
Coke: ‘The Coke Collection’,
6/2 (1995)
‘The Gerald Coke Handel Collection’,
15/1 (2004)
Katharine Hogg, ‘The Gerald Coke Handel Collection at the Foundling Museum’,
15/2 (2004)
Katharine Hogg, ‘New Handel Manuscript at Coke Collection’,
23/2 (2012)
Granville: Richard Chesser, ‘Granville Reunited: A “New” Handel Manuscript at the British Library,
28/2 (2017)
Handel Collections and Their History, ed. Terence Best,
1/2 (1990)
Kitching: Donald Burrows, ‘The Alan Kitching Collection’,
1/2 (1990)
Larpent: Donald Burrows, ‘Manuscript Librettos of Works by Handel in the Larpent Collection’,
29/1 (2018)
Legh: Andrew V. Jones, ‘New Light on Elizabeth Legh’s Handel Collection’,
31/1 (2020)
Malmesbury: Donald Burrows, ‘The Malmesbuy Collection Survey’,
2/1 (1991),
2/2(1991)
Royal: Donald Burrows, ‘Commemorating a Commemoration: The Royal Music Library’,
19/1 (2008)
Schoelcher: Richard G. King, ‘A Guide to the Uninventoried Parts of the Fonds Schoelcher’,
8/1 (1997)
Smith: Lucy Roe, ‘Robert Smith, Music Collector’,
14/2 (2003)
Donald Burrows, ‘The Origin of the “Smith Collection”: A Solution and a Puzzle’,
31/1 (2020)
Compton, Blaise:
‘Handel’s Hornpipe’,
28/1 (2017)
Comus: see Handel – other works
Concertos: see Walsh, John
Conference announcements:
Agostino Steffani: Europäischer Komponist und hannoverscher Diplomat der LeibnizZeit,
25/2 (2014)
Handel after Handel: The Making, Lasting Fame and Influence of Handel and the Handelian Figure,
22/2 (2011)
Handel: Interaction and Influences,
31/2 (2020)
John Rich and the 18th-Century London Stage: Commerce, Magic and Management,
18/1 and
18/2 (2007)
Music and the Book Trade from the 16th to the 19th Century,
18/2 (2007)
Music in 18th-Century Britain,
27/2 (2016);
28/2 (2017);
29/2 (2018)
Power of Musicke, The: Music and Politics in Georgian Britain,
24/1 (2013)
Redemption and the Modern Age – Handel’s Messiah in the 19th to 21st Century,
31/2 (2020)
Conference programmes (Handel Institute):
Commemorating Handel,
18/2 (2007)
Great among the Nations,
10/2 (1999)
Handel and his Eighteenth-Century Performers,
26/2 (2015)
Handel and his Music for Patrons,
29/2 (2018)
Handel and his Rivals,
7/2 (1996)
Handel at Court,
23/2 (2012)
Handel Collections and Their History,
1/2 (1990)
Handel in the 1730s,
4/2 (1993)
Handel in Cities and Houses,
13/2 (2002)
Performing Handel – Then and Now,
16/2 (2005)
Purcell, Handel and Literature,
20/1 and
20/2 (2009)
Conference reports:
American Handel Society: Donald Burrows,
2/1 (1991); Terence Best,
6/1 (1995);
Jonathan Tyack,
16/1 (2005); Tim Neufeldt,
21/1 (2010); Matthew Gardner,
22/2 (2011),
24/1 (2013),
26/2 (2015); David Vickers,
28/1 (2017); Natassa Varka,
30/1 (2019)
Ariodante Conference, April 1993: Terence Best,
4/1 (1993)
From Alcina to Theodora: Female Figures in the works of Handel and his Contemporaries: Natassa Varka,
30/2 (2019)
Georg Friedrich Händel a Roma: Donald Burrows,
19/2 (2008)
Georg Friedrich Händel – in viaggio verso l’Italia: Reinhard Strohm,
21/1 (2010)
Handel and His Rivals: Berta Joncus,
8/1 (1997)
Handel at Court: Carole Taylor,
24/1 (2013)
Handel in the 1730s:
5/1 (1994)
La cantata da camera intorno agli anni ‘italiani’ di Händel: Problemi e prospettive diricerca: Carrie Churnside,
19/2 (2008)
Metastasio: Anja-Rosa Thöming,
9/2 (1998); Purcell, Handel and Literature: John Greenacombe,
21/1 (2010)
Von Neapel nach Hamburg: Die Europäischen Reisen der ‘Partenope’: Reinhard Strohm,
21/1 (2010)
Continuo: see Burrows (and Shaw)
Copyists:
Donald Burrows, ‘ “Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s Samson’,
15/1 (2004);
21/1 (2005)
Michael Talbot, ‘An Unexpected Handel Copyist: Francesco Barsanti’,
24/2 (2013)
Croft, William: see Burrows, 'A well-handled situation?'
Cummings, Graham: see Festival reviews
Cummings, Laurence: see Obituaries
Curtis, Alan: see Obituaries
Cuzzoni: see Pont
Dance: see McCleave
Dean, Winton:
‘Alan Kitching and the Unicorn Theatre’,
1/2 (1990)
See also Book reviews; Editions reviewed; Festival reviews; Handel – oratorios; Obituaries; Opera productions reviewed
Dean, Winton, Handel’s Operas 1726–1741: see Book reviews
Dean, Winton, and John Merrill Knapp, Handel’s Operas 1704–1726 (reprint), 20/2 (2009)
DeSimone, Alison:
An American in London: Research on a Handel Institute Grant’,
29/1 (2018)
Documents on Handel: see ‘Handel Documents’ Project; Study days
Double bass: see Book reviews
Drauschke, Hansjörg:
‘Vocal Chamber Music in Hamburg: Keiser, Mattheson and Handel’,
25/2 (2014)
Dublin: see Opera productions reviewed
Duets: see Hunter
Dunhill, Rosemary:
‘James Harris and Handel’,
7/1 (1996)
Editions reviewed:
Cantatas for Alto and Continuo (ed. Ellen Harris): Andrew Jones,
13/2 (2002); Ellen Harris,
14/1 (2003); Andrew Jones,
14/1 (2003)
Giulio Cesare in Egitto (ed. Winton Dean and Sarah Fuller): Anthony Hicks,
13/1 (2002)
Hallische Händel-Ausgabe: Terence Best,
1/1 (1990),
2/1 (1991),
2/2 (1991),
3/2 (1992),
5/1 (1994),
6/1 (1995),
17/1 (2006)
Music for the Royal Fireworks (facsimile, ed. Christopher Hogwood): Anthony Hicks,
16/1 (2005)
New Handel Editions,
10/2 (1999)
New Vocal Scores of Handel from Bärenreiter,
19/2 (2008)
Novello Handel Edition: Donald Burrows,
28/2 (2017)
Prout: Donald Burrows,
26/1 (2015)
Evening Advertiser, The: see Chrissochoidis
Exhibitions:
By George! Handel’s Music for Royal Occasions: Katharine Hogg,
25/1 (2014)
Handel and the Castrati,
17/1 (2006)
Handel’s
Giulio Cesare: From Egypt to England: Katharine Hogg,
17/1 (2006)
Handel the Philanthropist,
20/1 (2009)
‘Two Last Nights!’: Show Business in Georgian Britain: Chris Scobie
30/2 (2019)
Festival reviews:
Göttingen
Winton Dean:
3/2 (1992),
4/2 (1993)
Terence Best:
4/2 (1993),
6/2 (1995),
7/2 (1996),
8/2 (1997),
9/2 (1998),
10/2 (1999),
11/2 (2000),
12/2 (2001),
23/2 (2012)
David Vickers,
13/2 (2002),
14/2 (2003),
15/2 (2004),
16/2 (2005),
17/2 (2006),
18/2 (2007),
19/2 (2008),
20/2 (2009)
21/2 (2010),
22/2 (2011),
23/2 (2012),
24/2 (2013),
26/2 (2015)
Graham Cummings:
25/2 (2014)
Donald Burrows,
28/2 (2017),
29/2 (2018)
Halle
Terence Best:
1/2 (1990),
2/2 (1991),
3/2 (1992),
4/2 (1993),
5/2 (1994),
6/2 (1995),
7/2 (1996),
8/2 (1997),
9/2 (1998),
10/2 (1999),
11/2 (2000),
12/2 (2001);
13/2 (2002),
14/2 (2003),
15/2 (2004),
16/2 (2005),
17/2 (2006),
18/2 (2007),
19/2 (2008);
20/2 (2009);
21/2 (2010);
22/2 (2011);
23/2 (2012),
25/2 (2014),
26/2 (2015),
27/2 (2016),
28/2 (2017),
29/2 (2018)
Winton Dean:
2/2 (1991),
3/2 (1992),
4/2 (1993),
8/2 (1997)
Donald Burrows:
16/2 (2005)
David Vickers:
23/2 (2012)
London
Terence Best:
9/1 (1998),
10/1 (1999),
23/2 (2012),
24/2 (2013),
25/2 (2014);
26/1 (2015)
Winton Dean,
11/2 (2000) Maryland (American Handel Society)
Donald Burrows:
2/1 (1991)
Perth, Australia: Sandra Bowdler,
21/1 (2010)
Fishamble Street: see Thurston
Flesch, Siegfried: see Obituaries
Foundling Museum: see Collections; Exhibitions
Frederick, Prince of Wales: see Handel and the Feuding Royals
Frederick, Prince of Wales:
Thomas McGeary, ‘Handel and the Feuding Royals’,
17/2 (2006)
Carole Taylor: ‘Paying for Opera in 1730s London’,
27/2 (2016)
Frenchman: see Charlton
Frosch, William A.:
‘A Bonesetter’s Contract’,
17/2 (2006)
Fuller, Sarah: see Editions reviewed
Gardner, Matthew: see Conference reports
Gatehouse: see Hunter
gfhandel.org:
21/1 (2010), 23/2 (2012)
Gianturco, Carolyn:
Il Trionfo’ Revived,
6/1 (1995) [with postscript by Donald Burrows]
Granville: see Collections
Greenacombe, John:
‘Did Italians Sing in Deborah in 1744?’,
19/2 (2008)
‘Where precisely was the “Fireworks Machine” in 1749?’,
27/1 (2016)
See also Conference reports
Gwynn, Dominic:
‘The “Handel Organ” at St Lawrence Whitchurch, Little Stanmore, Middlesex’,
7/2 (1996)
Hamburg: see Drauschke
Hamilton, N.: see Talbot, ‘Thomas Newburgh’
Handbook for Studies in 18th-Century English Music:
Katharine Hogg,
28/1 (2017)
Handel:
'Another Handel Anecdote': Graham Pont,
17/2 (2006)
'A Book in Handel's Library': Duncan Chisholm,
10/1 (1999)
'Did Handel perform a Pergolesi aria?': Donald Burrows,
18/1 (2007)
'Handel and George I in Birmingham': Colin Timms and Paul Spencer-Longhurst,
8/2 (1997)
'Handel and Samuel Wesley': Stanley Pelkey,
11/2 (2000)
'Handel and the Co-ordination of National Styles: Bukofzer Revisited': Howard Serwer,
12/1 (2001)
'Handel and the Feuding Royals': Thomas McGeary,
17/2 (2006)
'Handel at Exton, Rutland': David Hunter,
25/1 (2014)
'Handel at Vauxhall', Thomas McGeary,
9/1 (1998)
'The "Handel Documents" Project': Donald Burrows,
18/2 (2007);
21/1 (2010);
see also Study days
'Handel in German Belletristic Literature': Annette Landgraf,
24/1 (2013)
'Handel in Hell?', Duncan Chisholm,
9/1 (1998)
'Handel, Milton, and a New Document from their English Audience': Ruth Smith,
14/2 (2003)
'The "Handel Organ" at St Lawrence Whitchurch, Little Stanmore, Middlesex': Dominic Gwynn,
7/2 (1996)
'Handel References in The Evening Advertiser (1754–1756)': Ilias Chrissochoidis,
19/1 (2008)
'Handel Revamped': H. Diack Johnstone,
25/1 (2014)
‘Handel Sources in the Nanki Music Library, now in Wakayama’: Hiromi Hoshino.
31/2 (2020)
'Handel, Thomas Birch and Elizabeth Carter': Brian Trowell,
8/1 (1997)
'Handel, Walsh, Sonatas and Concertos in the Early 1730s': Donald Burrows,
17/1 (2006)
'Handel, Women, and the War with Spain': David Hunter,
10/2 (1999)
'Handel's Accumulation of Wealth': Ellen Harris,
13/1 (2002)
'Handel's Family': Klaus-Peter Koch,
19/2 (2008)
Handel's Will: Facsimiles and Commentary,
20/1 (2009)
'Mr Handel sings Duets with Lady Gatehouse': David Hunter,
17/1 (2006)
'New Accounts of Handel and the Oxford Act': Thomas McGeary,
13/1 (2002)
'A New Handel Letter': Donald Burrows,
24/1 (2013)
New Handel Manuscript at Coke Collection,
23/2 (2012)
'Not Vagaries but Varieties: Handel's 'Inconsistencies' Authenticated': Graham Pont,
11/1 (2000)
'Thomas Newburgh and his Poem on Handel's Blindness': Michael Talbot,
29/2 (2018)
'Two Anniversaries': Donald Burrows,
10/1 (1999)
'Two Newly Discovered References to Handel': Terence Best,
2/1 (1991)
'Walsh's Edition of Handel's "Solos"': Donald Burrows,
19/1 (2008)
See also Book reviews; Burney; Carestini; Editions reviewed; Frenchman; Harris, James; Heidegger; Jennens; Timotheus; Vocal Chamber Music
Handel – operas:
Agrippina
Andrew Jones, ‘Further Thoughts on Borrowings in Handel’s Agrippina’,
22/1 (2011)
Colin Timms, ‘Archive Notes on Singers in Agrippina’,
22/1 (2011)
Ariodante: see Conference reports; Lacy; Pergolesi
Barber Institute: Colin Timms, ‘Handel at the Barber: The ‘Lewis’ Years’,
20/1 (2009)
Dance: Sarah McCleave, ‘Dance in Handel’s Italian Operas: The Collaboration with Marie Sallé’,
5/2 (1994)
Giulio Cesare in Egitto: see Editions reviewed; Exhibitions
Handel’s Operas 1704–1726 (Winton Dean and John Merrill Knapp),
20/2 (2009)
Handel’s Operas 1726–1741 (Winton Dean): see Book reviews
‘Hanseatic’ Arioso: Reinhard Strohm, ‘Handel’s Operas and the “Hanseatic” Arioso’,
17/2 (2006)
Partenope:
see Conference reports
Prices: Carole Taylor, ‘Paying for Opera in 1730s London’,
27/2 (2016)
Riccardo primo: Katie Hawks, ‘Looking for Richard: Why Handel wrote
Riccardo Primo,
23/1 (2012)
Rinaldo: Ruth Smith, ‘
Opera in tempore belli: “English Traditions in
Rinaldo” Revisited’,
23/2 (2012)
Rodrigo: Colin Timms, ‘Archive Notes on Singers in
Rodrigo’,
21/2 (2010)
See also Study days
Handel – oratorios:
Deborah: John Greenacombe, ‘Did Italians sing in Deborah in 1744?’,
19/2 (2008)
Esther
Howard Serwer, ‘The Italians in Esther’,
5/1 (1994)
Ilias Chrissochoidis, ‘A “Fam’d Oratorio … in Old English Sung”: Esther on 16 May 1732’,
18/1 (2007)
Messiah
Exhibition at Pallant House,
3/1 (1992)
David Hunter, ‘
Messiah in Cork 1744’,
12/1 (2001)
TimThurston, ‘
Messiah Plaque returns to Fishamble Street’,
15/1 (2004)
Donald Burrows and Anthony Hicks, ‘The “Warren” Manuscript of
Messiah’,
12/2 (2001)
Donald Burrows , ‘Singing the “Hallelujah” Chorus, Still’,
18/2 (2007)
La Resurrezione: Terence Best, ‘Who sang in
La Resurrezione?’,
21/1 (2010)
Samson: Donald Burrows, ‘ “Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s
‘Samson’,
15/1 (2004);
16/2 (2005)
Saul: Winton Dean (Halle Handel Festival),
8/2 (1997)
Solomon: John Snape, ‘Solomon and the Blessings of Laws, wisely applied’,
31/2 (2020)
Terminology: Donald Burrows, ‘A Question of Terminology’,
5/2 (1994)
TheodoraWinton Dean (Glyndebourne),
7/2 (1996)
Colin Timms, ‘A Borrowing from Vivaldi in
Theodora,
21/1 (2010)
Colin Timms, ‘Did Handel borrow from Leclair?’,
30/1 (2019)
Il Trionfo del Tempo e del Disinganno: Carolyn Gianturco, ‘
Il Trionfo Revived’,
6/1 (1995)[with postscript by Donald Burrows]
See also Baldwin and Wilson; Book reviews; Carestini; Study days
Handel – other works:
Acis and Galatea: Anthony Hicks, ‘
Acis and Galatea in 1736’,
15/1 (2004)
Alexander’s Feast: Ruth Smith, ‘What instrument(s) did Timotheus play?’,
31/1 (2020)
Birthday Ode for Queen Anne: Donald Burrows, ‘Eternal Source for Speculation: Handel’s
Birthday Ode for Queen Anne’,
20/2 (2009)
Brockes Passion: see Study days
Calliope: Anthony Hicks, ‘Handel, Milton and
The New Calliope’,
8/1 (1997)
Cantatas for Alto and Continuo (ed. Ellen Harris): Andrew Jones,
13/2 (2002); Ellen Harris,
14/1 (2003); Andrew Jones,
14/1 (2003)
‘Chandos’ Te Deum: Anthony Hicks, ‘ “Chandos” Te Deum at Oxford’,
10/1 (1999)
ComusDonald Burrows, ‘Handel’s
Comus comes to London’,
22/2 (2011)
David Hunter, ‘Handel at Exton, Rutland’,
25/1 (2014)
Concertos: Donald Burrows, ‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’,
17/1 (2006)
Fireworks Music: John Greenacombe, ‘Where precisely was the “Fireworks Machine” in 1749?’,
27/1 (2016);
see also Editions reviewed
Hornpipe: Blaise Compton, ‘Handel’s Hornpipe’,
28/1 (2017)
Librettos: Donald Burrows, ‘Manuscript Librettos of Works by Handel in the Larpent Collection,
29/1 (2018)
Semele
Ruth Smith, ‘Timotheus, Alexander, Semele and Handel’,
14/1 (2003)
Terence Best, ‘
Semele at London Handel Festival’,
26/1 (2015)
‘Solos’: Donald Burrows, ‘Walsh’s Edition of Handel’s “Solos”’,
19/1 (2008)
Sonatas: Donald Burrows, ‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’,
17/1 (2006)
Water Music: Terence Best, ‘Handel’s
Water Music: A New Source’,
16/1 (2005)
Handel: Collected Documents:
News report on BBC Music Magazine prize for vol. 3 (2019),
31/1 (2020)
Handel House:
Handel’s London House,
1/1 (1990)
Anthony Hicks, ‘Handel’s House’,
1/2 (1990)
Handel’s House,
2/1 (1991)
Plan for Handel’s House, A, Curtis Price,
2/2 (1991)
Julie Anne Sadie, ‘A Prospect of Brook Street’,
5/1 (1994)
Julie Anne Sadie, ‘Brook Street Secured’,
7/1 (1996)
Handel House Museum,
12/2 (2001)
Handel Institute:
Awards (Conference),
25/2 (2014),
26/1 (2015)
Awards (Handel opera production),
26/2 (2015),
29/2 (2018),
31/2 (2020)
Awards (Performance),
5/1 (1994)
Awards (Research), recipients of,
8/1 (1997),
25/2 (2014)
See also DeSimone; Varka
'Christopher Hogwood becomes H. I. President' (Donald Burrows),
11/2 (2000)
Development Fund,
1/1 (1990)
'The Handel Institute: the First Five Years' (Colin Timms),
3/1 (1992)
'The Handel Institute and the Hicks Collection' (Donald Burrows and Colin Timms),
26/1 (2015)
Handel Institute Website,
29/2 (2018)
Handel Websites,
21/1 (2010),
23/2 (2012)
Helen Coffey takes over as Secretary,
27/1 (2016)
'Looking Backwards – and Forwards' (Donald Burrows),
9/2 (1998)
'Our First Twenty-Five Years' (Donald Burrows),
23/2 (2012)
'Secretaries: Vale et salve',
17/1 (2006)
See also Conference programmes
Harris, Ellen:
‘Handel’s Accumulation of Wealth’,
13/1 (2002)
See also Editions reviewed; Handel
Harris, James: see Dunhill
Hawks, Katie:
‘Looking for Richard: Why Handel wrote Riccardo Primo’, 23/1 (2012)
Heidegger: see McGeary
Hicks, Anthony:
‘A New Jennens Letter’,
1/2 (1990)
‘The Handel House’,
1/2 (1990)
‘Handel, Milton and
The New Calliope’,
8/1 (1997)
‘Handel, Milton and The New Calliope’,
10/1 (1999)
‘
Acis and Galatea in 1736’,
15/1 (2004)
See also Obituaries; Opera productions reviewed
Hicks Collection: see Handel Institute
Hogg, Katharine:
‘The Gerald Coke Handel Collection at the Foundling Museum’,
15/2 (2004)
‘The Gerald Coke Handel Collection at the Foundling Museum’,
23/2 (2012)
‘By George! Handel’s Music for Royal Occasions’,
25/1 (2014)
‘From the Gerald Coke Handel Collection:
Handbook for Studies in 18th-Century English Music, and
Water Music Exhibition,
28/1 (2017)
See also Collections; Exhibitions
Hogwood, Christopher: see Editions reviewed; Handel Institute; Obituaries
Hoshino, Hiromi:
‘Handel Sources in the Nanki Music Library, now in Wakayama’, 31/2 (2020)
Hunter, David:
‘Handel, Women, and the War with Spain’,
10/2 (1999)
‘Messiah in Cork in 1744,
12/1, (2001)
‘Mr Handel sings Duets with Lady Gatehouse’,
17/1 (2006)
‘Handel at Exton, Rutland’,
25/1 (2014)
Hunter, James:
Donald Burrows, ‘“Something necessary to the connection”: Charles Jennens,
James Hunter and Handel’s Samson’, 15/1 (2004); 16/2 (2005)
International Handel Research, 25/2 (2014), 29/2 (2018), 30/2 (2019), 31/1 (2020), 31/2 (2020)
Jennens, Charles:
Susan Bloor and Ruth Smith, ‘Charles Jennens returns to Foremarke’,
28/1 (2017)
Donald Burrows, ‘“Something necessary to the connection”: Charles Jennens, James Hunter and Handel’s
Samson’,
15/1 (2004);
16/2 (2005)
Anthony Hicks, ‘A New Jennens Letter’,
1/2 (1990)
Brenda Sumner, ‘Charles Jennens’ Piano and Music Room’,
22/2 (2011)
Johnstone, H. Diack:
‘Handel Revamped’,
25/1 (2014)
Joncus, Berta: see Conference reports
Jones, Andrew:
‘Further Thoughts on Borrowings in Handel’s Agrippina’,
22/1 (2011)
‘‘New Light on Elizabeth Legh’s Handel Collection’,
31/1 (2020)
See also Editions and reviews; Obituaries
Keiser, Reinhard: see Drauschke
Kimbell, David: see Book reviews
King, Richard G.:
‘A Guide to the Uninventoried Parts of the Fonds Schoelcher’,
8/1 (1997)
Kirkendale, Warren:
‘Handel, Ruspoli and Ursula Kirkendale in the Vatican’,
29/1 (2018)
Kitching, Alan:
Donald Burrows, ‘The Alan Kitching Collection’,
1/2 (1990)
Winton Dean, ‘Alan Kitching and the Unicorn Theatre’,
1/2 (1990)
See also Obituaries
Koch, Klaus-Peter:
‘Handel’s Family’,
19/2 (2008)
Lacy, Michael Rophino: see Trowell
Landgraf, Annette: see Handel
Lanfossi, Carlo:
‘Listening to
Didone abbandonata’,
30/2 (2019)
Leclair: see Timms, ‘Did Handel borrow from Leclair?’
Legh, Elizabeth: see Frosch
Lindgren, Lowell:
‘A Preview of Zamboniana’,
2/1 (1991)
‘Cantatas and Arias in the Collection of Griselda Baillie (1692–1759)’,
23/1 (2012)
McCleave, Sarah:
‘Dance in Handel’s Italian Operas: The Collaboration with Marie Sallé’,
5/2 (1994)
McGeary, Thomas:
‘Handel at Vauxhall’,
9/1 (1998)
‘Heidegger, Handel, Opera, and F––ting’,
11/1 (2000)
‘New Accounts of Handel and the Oxford Act’,
13/1 (2002)
‘Handel and the Feuding Royals’,
17/2 (2006)
McGegan, Nicholas: see Obituaries
Mainwaring, John: see Burrows, ‘A well-handled Situation?’
Malmesbury: see Collections
Manuscripts:
Donald Burrows and Anthony Hicks, ‘The “Warren” Manuscript of
Messiah’,
12/2 (2001)
Richard Chesser, ‘Granville Reunited: A “New” Handel Manuscript at the British Library’,
28/2 (2017)
Katharine Hogg, ‘New Handel Manuscript at Coke Collection’,
23/2 (2012)
Amelie Roper, ‘Handel Autographs Digitised’,
27/2 (2016)
See also Boyce; Collections
Maryland Handel Festival: see Conference reports – American Handel Society
Mattheson, Johann: see Drauschke
Metastasio, Pietro: see Conference reports; Lanfossi
Milton, John: see Handel
Moore, Edward and Hatley: see Baldwin and Wilson
Musical clocks: see Baldwin and Wilson
Nanki Music Library: see Hoshino
Neal’s Music Hall: see Fishamble Street
Newburgh, Thomas: see Talbot
Neufeldt, Tim: see Conference reports
Novello: see Editions and reviews
Obituaries:
Baselt, Bernd (1934–1993): Terence Best,
5/1 (1994)
Baselt, Elfriede: Donald Burrows,
27/1 (2016)
Brett, Philip (1937–2002): Nicholas McGegan,
14/1 (2003)
Channon, Merlin (1924–2015): Donald Burrows,
27/1 (2016)
Coke, Gerald (1907–1990): Winton Dean,
1/1 (1990)
Curtis, Alan (1934–2015): David Vickers,
27/1 (2016)
Dean, Winton (1916–2013): Terence Best,
25/1 (2014)
Farncombe, Charles (1919–2006): James Bowman,
18/1 (2007)
Flesch, Siegfried (1933–2007): Terence Best,
19/1 (2008)
Hicks, Anthony (1943–2010): Donald Burrows and Laurence Cummings,
21/2 (2010)
Hogwood, Christopher (1941–2014): Donald Burrows,
26/1 (2015)
Kirkendale, Ursula (1932–2013): Colin Timms,
24/2 (2013)
Kitching, Alan (1906–1997): Stanley Sadie,
8/2 (1997)
Knapp, John Merrill (1914–1993): Terence Best,
4/1 (1993)
Mann, Alfred (1917–2006): Donald Burrows,
18/1 (2007)
Porter, Andrew (1928–2015): David Vickers,
27/2 (2016)
Sadie, Stanley (1930–2005): Anthony Hicks,
16/1 (2005)
Serwer, Howard (1928–2000), Donald Burrows,
11/2 (2000)
Siegmund-Schulze, Walther (1916–1993): Percy M. Young,
4/1 (1993)
Traver, Paul (1931–2011): Graydon Beeks,
22/2 (2011)
Trowell, Brian (1931–2015): Donald Burrows,
27/1 (2016)
Watanabe, Keiichiro (1932–2001): Donald Burrows,
13/1 (2002)
Willcocks, Sir David (1919–2015): Silas Wollston,
27/1(2016)
Young, Percy M. (1912–2004): Andrew Jones,
15/2 (2004)
Zschoch, Frieder: Donald Burrows,
27/1 (2016)
Opera productions reviewed:
Admeto: Cambridge, Winton Dean,
10/2 (1999); Halle, Terence Best,
17/2 (2006)
Alcina: English National Opera, Winton Dean,
11/1 (2000); Edinburgh, Winton Dean,
11/2 (2000)
Agrippina: Birmingham,
20/1 (2009); Cambridge,
22/1 (2011)
Amadigi: New Chamber Opera, David Vickers,
12/2 (2001)
Amadigi: New Chamber Opera, David Vickers,
4/2 (1993); Cardiff, Anthony Hicks,
5/1 (1994); Halle, Winton Dean,
8/2 (1997)
Atalanta: Göttingen, David Vickers,
16/2 (2005)
Catone in Utica: London Handel Festival, Terence Best,
26/1 (2015)
Deidamia: London Handel Festival, Anthony Hicks,
6/1 (1995)
Ezio: Halle Hochschule, Donald Burrows,
4/1 (1993)
Giove in Argo: London Handel Festival, Terence Best,
26/1 (2015)
Giulio Cesare: BBC2, Winton Dean,
3/1 (1992); Barbican, Winton Dean,
9/1 (1998)
Imeneo: Dublin, Donald Burrows,
17/1 (2006)
Lotario: Royal College of Music, Winton Dean,
10/1 (1999)
Oreste: Linbury, Covent Garden, Terence Best,
11/1 (2000)
Ottone: London Handel Festival, Winton Dean,
11/2 (2000); Tokyo, Donald Burrows,
21/1 (2010)
Partenope: Cambridge, Winton Dean,
6/1 (1995); Innsbruck, David Vickers,
11/1 (2000); Early Opera Company, David Vickers,
12/2 (2001)
Poro: Göttingen, David Vickers,
17/2 (2006)
Radamisto: London Handel Festival, Terence Best,
9/1 (1998); Halle, Terence Best,
11/2 (2000)
Riccardo Primo: Covent Garden, Terence Best,
2/2 (1991)
Rodelinda: Glyndebourne, Winton Dean,
9/2 (1998); Göttingen, Terence Best,
11/2 (2000); Halle, Terence Best,
16/2 (2005); English National Opera, Terence Best,
25/2 (2014)
Serse: Halle and Göttingen, Winton Dean,
8/2 (1997)
Silla: London Handel Festival, Winton Dean,
11/2 (2000)
Siroe: London Handel Festival, Anthony Hicks,
5/1 (1994)
Tamerlano: Karlsruhe, Winton Dean,
4/1 (1993); Covent Garden, Terence Best,
6/1 (1995); Turin, Terence Best,
8/2 (1997); Drottningholm, Terence Best,
11/2 (2000)
Tolomeo: Broomhill Opera, Winton Dean,
9/2 (1998)
See also Festival reviews
Organ: see Gwynn
Palmer, Fiona: see Book reviews
Pasticcio: see Lanfossi
Pelkey, Stanley:
‘Handel and Samuel Wesley’,
11/2 (2000)
Pepusch, J. C.: see Beeks; Rawson
Pergolesi, G. B.:
Donald Burrows, ‘Did Handel perform a Pergolesi aria?’, 18/2 (2007)
Planyavsky, Alfred: see Book reviews
Pont, Graham:
‘Not Vagaries but Varieties: Handel’s “Inconsistencies” Authenticated’,
11/1 (2000)
‘A Reminiscence of Cuzzoni’,
11/2 (2000)
‘Another Handel Anecdote’,
17/2 (2006)
Power of Musicke, The: see Conference announcements
Price, Curtis:
‘A Plan for Handel’s House’,
2/2 (1991)
Prout, Ebenezer: see Editions reviewed
Purcell, Henry: see Conference reports
Rawson, Robert G.:
‘Recording Pepusch’s Venus and Adonis (1715): A Tercentenary Metamorphosis’,
28/1 (2017)
Recordings:
Grand Tour and Country House,
10/1 (1999)
International Handel Recording Prize,
13/2 (2002)
Stanley Sadie Handel Recording Prize: David Vickers,
19/2 (2008);
20/2 (2009);
21/1 (2010);
22/2 (2011),
24/2 (2013)
Rich, John: see Conference announcements
Roe, Lucy:
‘Robert Smith, Music Collector’,
14/2 (2003)
Roper, Amelie:
‘Handel Autographs Digitised’,
27/2 (2016)
Royal Music Library: see Collections
Ruspoli: see Kirkendale
St Lawrence Whitchurch: see Gwynn
Sadie Julie Anne:
‘A Prospect of Brook Street’,
5/1 (1994)
‘Brook Street Secured’,
7/1 (1996)
Sadie, Stanley: see Obituaries; Recordings
Sallé, Marie: see McCleave
Schoelcher, Victor: see King
Scobie, Chris:
‘Two Last Nights!’: Show Business in Georgian Britain, 30/2 (2019)
Senesino (Francesco Bernadi): see Chrissochoidis
Serwer, Howard:
‘The Italians in
Esther’,
5/1 (1994)
‘Handel and the Co-ordination of National Styles: Bukofzer Revisited’,
12/1 (2001)
Serwer, Howard: see Obituaries
Shaw, [Harold] Watkins: see Continuo
Singers:
Olive Baldwin and Thelma Wilson, ‘Another Handelian Bass Singer and Organist’,
24/2 (2013)
Terence Best, ‘Who sang in La Resurrezione?’,
21/1 (2010)
Donald Burrows and Paul Tindall, ‘Gustavus Waltz: A new Discovery’,
24/1 (2013)
Graham Pont, ‘A Reminiscence of Cuzzoni’,
11/2 (2000)
Colin Timms, ‘Archive Notes on Singers in Rodrigo’,
21/2 (2010)
Colin Timms, ‘Archive Notes on Singers in Agrippina’,
22/1 (2011)
Judit Zsovár, ‘Baroque Prototypes of the Soprano sfogato?’,
30/2 (2019)
Smith, John Christopher: see Burrows, ‘Do we need “John”?’
Smith, John Christopher: see Continuo
Smith, Robert: see Roe
Smith, Ruth:
‘Timotheus, Alexander, Semele and Handel’,
14/1 (2003)
‘Handel, Milton, and a New Document from their English Audience’,
14/2 (2003)
‘
Opera in tempore belli: English Traditions in
Rinaldo Revisited’,
23/2 (2012)
‘What instrument(s) did Timotheus play?’,
31/1 (2020)
See also Book reviews; Handel; Jennens
Snape, John:
‘
Solomon and the Blessings of Laws, wisely applied’,
31/2 (2020)
‘Solos’: see Walsh, John
Sonatas: see Walsh, John
Spencer-Longhurst, Paul, and Colin Timms:
‘Handel and George I in Birmingham’,
8/2 (1997)
Steffani, Agostino: see Conference announcements
Strada, Anna Maria: see Zsovár
Strohm, Reinhard:
‘Handel’s Operas and the “Hanseatic” Arioso’,
17/2 (2006)
See also Conference reports
Study days:
Brockes Passion and Esther,
12/2 (2001)
‘Documents about Handel (and Others)’,
21/2 (2010); Carole Taylor,
22/1 (2011)
Sumner, Brenda:
‘Charles Jennens’ Piano and Music Room’,
22/2 (2011)
Talbot, Michael:
‘An Unexpected Handel Copyist: Francesco Barsanti’,
24/2 (2013)
‘Thomas Newburgh and his Poem on Handel’s Blindness’,
29/2 (2018)
Taylor, Carole:
‘Paying for Opera in 1730s London’,
27/2 (2016)
See also Conference reports, Study days
Thomas, Graham:
‘Burney on Handel: A New Source’,
6/2 (1995)
Thöming, Anja-Rosa: see Conference reports
Thurston, Tim:
‘Fishamble Street: Neal’s Music Hall (1988–2001)’,
12/2 (2001)
‘
Messiah Plaque returns to Fishamble Street’,
15/1 (2004)
Timms, Colin:
‘The Handel Institute: the First Five Years’,
3/1 (1992)
‘
Boyce’s Ode to Shakespeare: The Missing Autograph Folio’,
17/1 (2006)
‘Handel at the Barber: The “Lewis” Years’,
20/1 (2009)
‘A Borrowing from Vivaldi in
Theodora’,
21/1 (2010)
‘Archive Notes on Singers in Rodrigo’,
21/2 (2010)
‘Archive Notes on Singers in Agrippina’,
22/1 (2011)
‘1714 and All That’,
25/2 (2014)
‘Did Handel borrow from Leclair?’,
30/1 (2019)
See also Handel Institute
Timms, Colin, and Paul Spencer-Longhurst:
‘Handel and George I in Birmingham’,
8/2 (1997)
Timotheus:
Ruth Smith, ‘Timotheus, Alexander, Semele and Handel’, 14/1 (2003)
Tindall, Paul, and Donald Burrow:
‘Gustavus Waltz: A New Discovery’,
24/1 (2013)
Trowell, Brian:
‘Michael Rophino Lacy and
Ginevra of Sicily: A 19th-Century Adaptation of Handel’s
Ariodante,
6/1 (1995)
‘Handel, Thomas Birch and Elizabeth Carter’,
8/1 (1997)
See also Book reviews; Obituaries
Tyack, Jonathan: see Conference reports
Unicorn Theatre: see Kitching, Alan
Varka, Natassa:
‘April in Princeton: With a Handel Institute Research Award’,
29/1 (2018)
See also Conference reports
Vauxhall: see Handel
Vickers, David: see Conference reports; Festival reviews; Obituaries; Opera productions
reviewed
Violone: see Book reviews
Vivaldi, A.: see Handel – oratorios (Theodora)
Vocal Chamber Music: see Drauschke
Walsh, John:
Donald Burrows, ‘Handel, Walsh, Sonatas and Concertos in the Early 1730s’,
17/1 (2006)
Donald Burrows, ‘Walsh’s Edition of Handel’s “Solos”’,
19/1 (2008)
Waltz, G.:
Donald Burrows and Paul Tindall, ‘Gustavus Waltz: A New Discovery’, 24/1 (2013)
Warren, Edmund Thomas:
Donald Burrows and Anthony Hicks, ‘The “Warren” Manuscript of
Messiah’, 12/2 (2001)
Watanabe, Keiichiro: see Obituaries
Water Music: see Exhibitions
Website:
Handel Institute Website,
29/2 (2018)
Handel Websites,
21/1 (2010);
23/2 (2012)
Willcocks, Sir David: see Obituaries
Wilson, Thelma, and Olive Baldwin:
‘Another Handelian Bass Singer and Organist’,
24/2 (2013)
‘Handel beating time in Ipswich: Messrs Moore’s superb Musical Machine’,
30/1 (2019)
‘Ciel’d after the manner of the Oratorios’,
31/2 (2020)
Wollston, Silas: see Obituaries
Young, Percy M.: see Obituaries
Zsovár, Judit:
‘Baroque Prototypes of the Soprano sfogato?’,
30/2 (2019)
